Category: Lifestyle

  • WAFCON 2025 done and dusted, but did Africa’s women get the best out of it?

    WAFCON 2025 done and dusted, but did Africa’s women get the best out of it?

    Nigeria’s players celebrate with the trophy on the podium after winning the 2025 Women’s Africa Cup of Nations final. Credit: Al Jazeera

    The 2025 edition of the Women’s Africa Cup of Nations (WAFCON) culminated with the unforgettable final in Rabat last month, when Nigeria completed “Mission X” by coming from behind to defeat hosts Morocco 3-2.

    The fixture provided a glittering finale to a memorable if imperfect tournament, but it’s fair to ask, with the confetti settled on the Super Falcons’ glory, whether women’s football in Africa is truly getting the support, the recognition and the treatment that the talent surely merits.

    This year’s WAFCON wasn’t just a sporting event; it was a powerful statement about the growing strength and popularity of women’s football in Africa. What’s next for this burgeoning sport?

    The Confederation of African Football (CAF) has stated lofty commitments to the women’s game, but can WAFCON already be considered an event worthy of those who play the sport across the continent?

    Scheduling that prioritises the women’s game

    In recent years, there’s been a lingering sense that WAFCON has been something of an afterthought for the eggheads at CAF, despite president Dr Patrice Motsepe’s claims that the “development and promotion of women’s football” would be one of the “priorities” of his tenure.

    There has been notable progress, from the launch of the CAF Women’s Champions League, to incentives and resources being put in place for men’s clubs across the continent to develop their structures for women’s football, and the increase in WAFCON prize money to $US1 million for the winners.

    All that represents a 100% increase from the 2022 edition, with CAF also outlining that 45% of the winners’ pot is used to contribute to increasing the salaries of women’s “players, coaches and employees” in the winning country. However, the prize money remains well behind the €5.1 million ($US5.89 million) reward England won for defeating Spain in the Euro 2025 final on Sunday, and even further behind the $US7 million Ivory Coast won as men’s AFCON champions last year.

    While the increase is nonetheless well received, but is the big-money headline and a gleaming new trophy enough given the issues in the build-up to WAFCON?

    After the 2020 WAFCON was cancelled amid the COVID-19 pandemic, CAF opted to move the 2022 edition — also hosted by Morocco — to a June-July schedule (rather than the traditional November-December program) to match the move made with the men’s tournament.

    That plan quickly ran into problems, however, as the schedule overlapped with the Olympic Games in Paris. Given that senior women’s teams compete at the Olympics, and with two of the WAFCON favourites participating, the African showpiece had to be moved again.

    Only last June — just over a year before the competition — did CAF announce the revised intention to host the competition in July 2025, three years after the previous edition; match venues were announced only on May 27 of this year, and the competition schedule was announced only at the start of June, a month before kickoff.

    Nigeria’s midfielder Rinsola Babajide celebrates with a national flag after winning the 2025 Women’s Africa Cup of Nations final against Morocco. The Super Falcons received many rewards back home from their government. Credit: ESPN

    Several teams commented during the tournament that the uncertainty in the build-up impacted their ability to hit top form.

    The rescheduled tournament took place over 21 days, and while this was the same period of time as in 2022 and South Africa’s head coach Desiree Ellis bemoaned a schedule that she said proved too demanding on the players and ultimately impacted the on-field spectacle.

    Banyana Banyana, in particular, were disadvantaged by a tough program in which they played Nigeria in the semifinals in Casablanca on July 22, less than 72 hours after they’d finished their draining quarterfinal against Senegal, which they won in a penalty shootout, in the sapping heat of Oujda.

    The team travelled on July 20 — making the 609km trip on the morning after the match — undertook pre-match training on July 21, then faced a Nigeria team that had had an extra day’s rest, on July 22.

    “The Euros started three days before [WAFCON], and the final is on Sunday [a day after the WAFCON final],” Ellis said. “The normal recovery time should be 72 hours, if you want to have the best football in the latter stages; it needs another look… Fatigue sets in with games coming thick and fast; the legs are gone. If you want quality, you have to give the players a proper opportunity to recover.”

    Against Nigeria, Ellis had to introduce Hildah Magaia — still recovering from a hamstring injury — within the first half-hour after Tiisetso Makhubela was withdrawn with injury.

    “We can’t travel one day, have training the next, then have a semifinal,” Eliis said. “It’s impossible; impossible. The human body can only do so much. We have to take care of players first, because they’re human beings.

    “The Euros was more spaced out. OK, there were more teams, but they also had a quarterfinal, semifinal and final. The WAFCON would be more interesting with the same spacing.

    “Some teams are travelling more than others, and maybe that needs to change. We want quality at the backend [of the tournament] as well as in the beginning.”

    While the final was a particularly entertaining spectacle, it’s worth noting that four of the last six matches at the tournament went to penalties, with teams running out of dynamism and vitality in demanding climate conditions and ultimately struggling to go through the gears and impose themselves on opponents as they may have liked.

    The Black Queens of Ghana celebrate after producing a commanding second-half performance to claim a 4–1 victory over Tanzania and eliminate them. Credit: BBC

    Hot conditions for summer tournaments are not an Africa-exclusive problem — just look at how conditions during the Club World Cup have raised concerns for the World Cup in the United States, Mexico and Canada next year — but clearly Africa’s climate conditions make this a particularly acute problem for the continent, with the added complexity of diverse climatic patterns across this vast landmass.

    South Africa were one of several teams, along with Nigeria and Congo DR, to bemoan what they deemed to be sub-standard accommodation and training facilities.

    “Where we stay, we don’t have a proper gym, we don’t have a pool, but we have to deal with it,” Ellis said. “These things should be criteria, but we know the things we face in Africa; we have to find solutions for it.”

    Morocco’s games were well attended at WAFCON, but otherwise attendance was low, even for games featuring Nigeria or South Africa. Those venues were essentially empty. Credit: ESPN

    Ellis’ experience was partly shared by Ghana head coach Kim Lars Björkegren, who also questioned the tournament scheduling, while praising Morocco’s hosting.

    “The organisation has been really good, I think,” Björkegren told the media. “With good pitches, we’ve felt safe the whole time, nothing to complain [about].

    “Of course, for us to travel for the semifinal, I wish we could have had another day more there; I’m not sure if it’s possible for the future. Otherwise, I have nothing to complain about. It’s been a great experience.”

    While pitches and playing facilities were largely of a high standard, the tournament was perhaps a victim of Morocco’s coming hosting of the men’s AFCON later this year and the FIFA World Cup in 2030.

    With the iconic Stade Mohammed V being renovated, matches in Casablanca were moved to the soulless Stade Larbi Zaouli in the Hay Mohammadi neighbourhood, while in Rabat building works on the new Prince Moulay Abdellah Stadium meant that fixtures were played at the more modest Olympic Stadium.

     

    Poor attendances marred the tournament

    CAF claimed “massive global broadcast demand” in WAFCON ahead of the tournament, but this was not matched by a generalised groundswell of enthusiasm in Morocco, notwithstanding games involving the hosts.

    The hosts attracted capacity crowds, with final tickets available on CAF’s official handle for as little as 0.78 Euros/$0.9 and 3.9 Euros/$4.50, although reports got to reporters that supporters in attendance had confirmed that they’d paid approximately 19.06 Euros/$22 for their tickets on resale.

    There was a 21,000-capacity crowd in attendance to witness Nigeria’s stunning comeback against the hosts in the final, but uptake beyond Morocco’s matches was meagre, with official supporters clubs that travelled to support their nations battling to create some semblance of energy in empty stadiums.

    Match times, heat, financial realities (especially costs for travelling fans), and stadium logistics were understandable obstacles for the Moroccan public, but a general lack of awareness and enthusiasm on the ground could also be attributed to a commercial effort that failed to truly engage with local audiences, not giving them enough reason to turn out to watch players they didn’t know from countries with which they had no connection.

    Of course, there were billboards in Morocco advertising the tournament, but there was little visible attempt to create enthusiasm around the continent’s star attractions beyond the Atlas Lionesses and the ubiquitous Fatima Tagnaout.

    Nigeria’s Ashleigh Plumptre expressed some disappointment with WAFCON’s on-the-ground appeal when contrasting it with the Euros, which were played largely to packed houses across Switzerland, but Algeria’s Ghoutia Karchouni had a different opinion.

    “There’s no value in comparing two different atmospheres and cultures,” Karchouni revealed to newsmen. “In Africa, we’re beginning to have more and more keen interest in women’s football in a general sense. CAF are trying their best to improve conditions and promote the tournament. We need to be patient and give them time.”

    This is not exclusively a Morocco problem, nor is it exclusively a WAFCON problem — only 6,000 were in attendance at the 60,000-Alassane Ouattara Stadium in Abidjan last January for the Africa Cup of Nations decider between Mozambique and Ghana — but CAF and the LOC need to define more effective strategies to tackle the obstacles listed above if they’re to reduce the empty seats at international competitions and enhance the product as a whole.

    Even if they do, Africa’s sheer size and the logistical limitations of intracontinental travel mean comparisons with Europe can only illuminate so much. Of the teams participating at the Euros, the farthest any of their capitals was from Basel, the city that hosted the final, is 2,500km (Iceland). For context, all but four of the WAFCON qualifiers have capitals situated farther from Rabat than this, with Pretoria over 7,600km away from the Moroccan capital.

     

    How can federations find consistency?

    One change that CAF will not be able to make ahead of the next tournament is to address the qualifying campaign, a straight knockout, which can often see some of the competition’s would-be contenders miss out on the tournament proper.

    Algeria and Cameroon have been pitted together on the road to 2026, as have Senegal and Ivory Coast, and the DRC and South Africa, all teams that could have harboured realistic hopes of reaching the knockout stages of the tournament — also to be held in Morocco.

    With the next WAFCON doubling up as a World Cup qualifying campaign, defeat for any of these teams in the October double-headers will see them miss two tournaments and leave them without competitive senior football until the qualifying campaign for the 2028 Olympics begins.

    Tunisia were eliminated from both the 2026 WAFCON (and therefore the 2027 World Cup) before they’d even competed in this year’s Nations Cup, and it’s difficult to expect federations to maintain levels of domestic funding for the women’s game in countries where there’s no possibility of major tournament participation (and prize money) for another three years.

    Even for the more successful nations in the competition, federation support remains an issue despite the platitudes.

    Nigeria’s players were each rewarded with a three-bedroom apartment in Abuja and the naira equivalent of $US100,000 (with technical and administrative teams receiving an apartment and half the amount of money), it ought not go unnoticed that head coach Justin Madugu (nor indeed 2022 WAFCON-winning head coach Ellis) reportedly had formal contract of employment heading into the tournament.

    The rise of Zambia and Morocco in the women’s game is testament to what national teams and their most talented players can achieve when federations begin to prioritise the domestic game and grassroots football with a long-term strategy and genuine commitment to growth rather than glib platitudes.

    Without this, and without CAF working with Local Organising Committees to establish optimal conditions for an entertaining tournament, without a marketing strategy that truly engages supporters in the host country, then WAFCON might not keep pace with the immense African talent and enthusiasm that exists in the continent and beyond.

     

  • One on One with Seun Kuti, Afrobeat Singer in Denver

    One on One with Seun Kuti, Afrobeat Singer in Denver

    Seun Kuti is a Nigerian musician, singer, and songwriter renowned for his captivating performances and socially conscious music. He is the youngest son of the legendary Afrobeat pioneer Fela Kuti and has spent most of his life preserving and extending his father’s political and musical legacy as the leader of his father’s former band Egypt 80.

    On the back of his album, Heavier Yet (Lays The Crownless Head), Kuti and his band have been touring the United States showcasing how the sonic elements of jazz and improvisation gave birth to the Afrobeat genre. They have performed in various U.S. cities before their recent stop in Denver, Colorado.

    Kabongo S.P. of Afrik Digest Magazine sat down with him after his recent performance in Denver where he talked about his life, activism, his father’s legacy, politics in Africa and many more.

    Lessons learnt from my father (Fela Kuti)

    For me, the most important lesson I can say I learnt from him is to always understand who we are and have pride in our identity as Africans. I think that’s the biggest and most important lesson.

    Honoring your father’s legacy and stepping out from his shadow

    I’ve never made music from that perspective. There’s never been a time when I’m making my music and I’m thinking oh! Am I trying to be myself? And no, I’m not at war with my identity in any way. You know, of course, I’m my father’s child. I acknowledge that, but I don’t let it factor in too much when I’m working. I just try to make music the way it makes me happy, and I’m sure if I’m satisfied then everything is okay.  All those other things are like looking at my father’s legacy and trying to match up with the things he did are distractions that prevent people from enjoying the moments and experiences I create.

    Activism, Connection with Nigerian culture and its influence on his music

    Well, I don’t think there’s any aspect of the culture that I am most connected to. My own existence today is a journey of me understanding the entirety of my culture and how it relates to me today. So there’s no part of my culture that I’m most connected to or distant from. I don’t pick and choose what part of my culture I like. It’s not healthy to bring culture into aspects of what I do and choose this side and abandon this side and choose that side. No, it doesn’t work that way. I’m a Yoruba boy from Nigeria, but I infuse something from every other ethnic group in Nigeria into my music. It could be a drumming style from the middle belt or dance steps from the East, there’s always an element of every Nigerian ethnic culture in my music and performances. I have moved beyond activism. I believe people are either revolutionary or they are not revolutionary. So, yeah I practice revolutionary politics in my country, so that for me is my own engagement with what maybe you call activism. For me, its revolutionary engagement.

    Embracing the calling of Afrobeats

    Well you know I’ve been playing music for a long time. I’ve been in my band since I was eight years old. So, I wouldn’t say I decided when I was eight that I was definitely going to play music. When I was growing up, I was good in school and I enjoyed the study of economics so much I thought when I grow up I’ll become an economist. But then, I realized economists have to go to work in the morning every day. And as a kid even though I was really good at school, I hated having to wake up in the morning to go to school. So, I realized that if I get this job as an economist, I’ll have to wake up every day for the rest of my life every morning. I’m like damn it, no economist aspirations anymore. I was also good at sports. I captained my high school football team and played football very well and there was a time I thought of pursuing a career in football. Even though music came to me naturally, I didn’t see myself doing it professionally. Music was just something I did because I could do it. I also came to realize that even if I play football, at the minimum you are done at 35. So I asked myself, what do you want to do for the rest of your life? So, when I was in high school, I was like, you know, what,  I’m just gonna play music because this is the only job that will allow me to wake up when I want to wake up, and it’s something I can do for the rest of my life. So that was how I, you know, stuck to music and the rest as they say is history.

    Biggest challenge you’ve faced in becoming your own person

    Is anybody really their own person? Being your own person as an African man, is something that they put too much emphasis on because it removes you from ancestral recognition. It makes people forget their past and those who came before them. Nobody comes from nothing. Nobody is good or great by chance. All the rich and powerful people in the world are rich and powerful because of their parents or ancestry. Nothing comes from nothing in this world and it is important that Africans stop buying into this narrative of being your own man going it alone. As an African man, it is impossible for you to be self-made. Not that it is hard, It is impossible. Because no matter what you want to do, first of all, some certain African man somewhere has died for you to be able to do that thing. Want to be a journalist, a musician, a doctor or lawyer? Some people blazed the trail in that profession first so others will have pointers or guidelines on how to go about it. Even for us as African people to be here in the United States, having this interview here in Colorado, a lot of African people died here for us as black men to be able to walk and prosper on these lands.So there’s nothing we do as African people that we are doing on our own. It is because people have made it so for us. Then we bring this word ‘’being our own person’’ and we want to erase the sacrifices those before us have made so that we don’t shoulder the responsibility of doing the same for the next generation. We start telling ourselves i made it on my own therefore anybody else can make it themselves.That is something i tend to see a lot in Africans, it’s why majority of Africans find it hard to build generational wealth. Asians and to an extent Europeans understand this better than we Africans. So I’ve never been one to shy away from coming from something because I appreciate the sacrifice of my ancestors. My dad, my grandmother, because without my grandmother my father will not be who he was. (Seun Kuti’s grandmother was Funmilayo Ransome-Kuti, who was a prominent political activist, suffragist, and women’s rights activist. She was also the first Nigerian woman to drive a car).

    That being said, from the moment I released my first album I had already created my own thing. My father wasn’t there to write the songs for me. He had already passed on by the time I started. He doesn’t play the sex for me, neither does he compose for me. So why would anyone think that me making my own music is not me doing my own thing. That I have not become my own person. Yeah, so for me those  questions i don’t think are really relevant.

    Evolution of my music and new elements in Afrobeats

    For me as an artist, I’ve always wanted my music to represent who I am and where I’m from. Artistically and personally as a human being and as a musician I want every album I make to reflect that position because music is a bit of science. Not a bit, music is science in a certain way. You’re like a scientist in a lab when you work on your art like you’re experimenting and keep trying to create new stuffs and try as much as possible to be innovative. You advance yourself and for me that’s what goes on. And it’s forever work, nobody’s done. That’s what I love about music, nobody’s done. You’re never done. There’s always something new, always another level to try to get to. For me every time I’m making those next steps I want it to project on my records. So definitely that’s  how my music evolves. Every album I make feels like a stamp of where I am. It’s a honest stamp of where I am as a musician and a human being at that moment in time. I have added my own ideas. You know, the way I like to compose my own songs and things like that. You know, as an artist, what I’ve done for all my career is that my songs have represented my truest feelings and expressions. The other things are things for critiques and people that don’t really understand my kind of music. When I read a lot of articles about my record, they talk about all these kinds of things, but I don’t take it seriously. You know, he’s made the music more funky, he’s made the music more soulless. He’s added this or added that,  for me as an artist those are not the things that make me happy when I’m making music, but those are the things that people like to see and talk about. That’s the world for you. I only ask myself one question when I’m making music. Are you happy with what you’ve just done and does this represent you? And if the answer is yes then every other thing is irrelevant.

     

    Uniqueness of my music

    Whenever I listen to my own songs, I’m like yeah, this is me. I don’t see anyone out there replicating what I do or what I have done. The way I play my sax is different, my beats are different even the way I try to pass my message across is different. My message is unique to me not that it’s new or that it hasn’t passed it before, but the way I deliver the message of African liberation is unique. I don’t see other artists that talk about the things I talk about in the way I talk about them or from the perspective that I talk about them. So that’s unique enough for me.

    Meeting the expectations of fans

    I have always to the best of my ability given 100% whenever I perform or produce music. Whenever I have a live performance, expect the best from me always. I don’t settle for less. I also try to use my shows as a way to build bridges and start conversations that go beyond the concerts. I want my audience to also try and leave my show with a sense of responsibility to themselves and to humanity.

    Preparation for live concerts

    For me, it’s already ingrained in me. It’s something I know like the back of my hand. It’s already second nature for me. A lot of work also goes on behind the scenes for sure. The time to do the work for the show is not two hours before the show. The time to prepare for the show is not one hour before the show, not even two weeks before the show. It’s months and years of planning and hard work. That is the real hard work that nobody sees behind the scenes. the rehearsals and constant tweaking and fine tuning, that’s where the real preparation is. By the time we get to venues and we are doing tours, all that preparation that has been done over months and years just kicks in and everything falls in place seamlessly.

    Future evolution of Afrobeats

    Honestly I don’t know because I don’t really do this future prediction thing. I can say though that our art should represent more of our reality. When it comes to arts one cannot really predict what the future holds. If in the 90s you told me that rap music will exist where people don’t use words, I’ll tell you that’s impossible. Nobody would have believed that. But look at it today. The truth is nobody knows what the future holds for afrobeats. The best we can do as artists is to continue to improve ourselves so that our craft can stay relevant.

    Future collaboration with Nigerian and International artistes 

    There are lots of Nigerian artists I still haven’t worked with, but probably will work with in future. If the chance arises. And I’ve worked with many already. Internationally there are a couple of them I would like to work with but it’s best if i don’t mention any names yet.

    Advice for young African Musicians

    The music industry now is different. The only advice anybody needs is determination.Gone are the days where I would say, oh, you need to be good at your instrument or train yourself to be this or that, these days that doesn’t count for anything. If you really believe in your artistry or your vision that all you have to do is to be determined. The only thing that separates the ones that make it from the ones that don’t is determination. How long, how hard are you willing to just keep banging until the world begins to hear you because there’s so many artists out there trying to do the same thing. Try to break through in their own way and every day a million new musicians pop up.

    Getting a break in the music industry

    Remember I said earlier that nobody comes from nothing and that applies to me in this case. My dad had done the work, Manu Dibando had done the work, Youssou N’Dour had also done the work. I am just picking it up and doing my bit. I stand on the shoulders of the Salif Keita’s and all these other great African musicians. My brother Femi Kuti is also in that bracket. We need to understand that so many people have done that work that has created that opportunity for others where people are able to recognize what you’re doing and probably go okay, fine, we’ll play your music on this radio or come perform at this show. I won’t lie, being Fela’s son is an advantage and has opened so many doors for me but it comes with its own disadvantages as well. Because of my background and the standards my forebears have set, they find it difficult to cut me some slack because they expect everything I do to be perfect.

  • Top 5 African movies for first quarter of 2025

    Top 5 African movies for first quarter of 2025

    In 2025, African films are making waves internationally, with some vying for Oscars and gaining global recognition. Movie lovers are set to be enthralled and fascinated by a stellar lineup of African movies emanating from the Continent. This ranges from thrillers to romance to historical epics to heartwarming comedies. Five movies have been selected out of many and will be hitting the cinemas and streaming platforms soon. They showcase the richness and versatility of African storytelling as well as diverse cinematic experiences and cultures. Tolulope Omotunde of Afrik Digest Magazine has selected a top five as a must watch.

    Dahomey (Senegal)

    Mati Diop’s history-making,Golden Bear-winning documentary feature, Dahomey, follows the restitution of 26 artifacts forcefully taken by France in the 19th century as they return to the Republic of Benin. The film does more than celebrate this feat; it’s an inquisitive look into the true meaning of restitution while the lasting effects of colonialism and neocolonialism are still evident today. From its animistic elements to fierce debates among young Beninese reckoning with the very pillaged soul of their country, Dahomey isa riveting cultural journey.

     

    Disco Afrika: A Malagasy Story (Madagascar)

    Inspired by the moods, fashion and civil rights movements of the 1970s, Luck Razanajaona’s Disco Afrika: A Malagasy Story is an engrossing portrayal of being torn between personal wants and communal needs. 20-year-old Kwame works in the clandestine sapphire mines, where he struggles to make a living. He returns home, reunites with his mother and friends, and faces the norm of corruption and cutting corners head-on. Parista Sambo’s turn as Kwame is as invigorating as the palmwine music and highlife grooves that waft through the film.

     

    Everybody Loves Touda (Morocco)

    Nabil Ayouch’s Everybody Loves Touda, selected as Morocco’s recent Oscars entry, is about the young singer Touda, who dreams of becoming a famed folk singer, partly to give her deaf son a better life. Between her small town and her eventual move to Casablanca, Touda has to deal with patronizing men, who only see her as a sexual object, and club owners who have a strict vision of what she can do. Nisrin Erradi turns in a powerful performance as the lead character, enlivening the screen with radiant energy during the musical performance, but it is in the somber moments that she holds viewers in an affecting haze.

     

    Hanami (Cape Verde)

    Hanami is a coming-of-age film, but it’s also more than that. Nana (Sanaya Andrade) is a young girl living in Fogo, Cape Verde, a volcanic island with black sand beaches. Just after birth, her mother, Nia (Alice da Luz), left Cape Verde for a better life, and now a young teenager, Nana has to grapple with emigration being front and center of every young person’s life in her country. Denise Fernandes’ film is a ruminative effort on the emotional and spiritual aspects of exiting your home as the best option a person has as soon as they’re born. Hanami feels its way through longing and a warmth that is familial and familiar.

     

    Finding Me (Nigeria)

    A mini super story movie. It harkens back to old Nollywood. In this story of betrayal, self-love, and money. Tinuke Phillips, a beautiful, socially-naïve and laid-back young lady, has struggled with low self-esteem. This has her believing she is incapable of finding love until she meets Kola, a handsome goal-getter, who treats her with love and respect. Finding Me” is more than just a movie-it’s a wake-up call. It dives deep into how society pressures women to believe their worth depends on marriage and having children. Funke Akindele delivers a stunning performance, making Atinuke’s transformation feel real and raw. We see her go from a woman desperate for love to someone who finds the strength to walk away.

  • Nairobi Fashion Week 2025 Highlights African Innovation in Regenerative Fashion

    Nairobi Fashion Week 2025 Highlights African Innovation in Regenerative Fashion

    The Nairobi Fashion Week 2025, one of East Africa’s most influential fashion events, has put an emphasis on regenerative fashion, highlighting the urgent need for sustainability and ecological responsibility in the industry.

    The theme for this year’s event, “Regenerating Fashion: A New Era of Responsibility,” captivated both local and international audiences, offering a glimpse into the future of fashion through the lens of environmental consciousness and sustainable innovation.

    The week-long event, which was held in the capital of Kenya had designers, brands, and thought leaders from across the continent gather to explore and celebrate the concept of regenerative fashion — an approach that focuses not only on minimising harm but also on healing and replenishing the planet.

    As the event drew to a close, it became clear that the fashion industry in Kenya—and across the continent—is embracing a new era of creativity, sustainability, and innovation.

    The event celebrated the rich cultural heritage of Africa through diverse collections that pushed boundaries while honoring traditional craftsmanship. From modern takes on classic African prints to avant-garde designs blending indigenous materials with cutting-edge techniques, the runway highlighted the incredible talent that the continent has to offer.

    The Textile and Apparel industry (T&A) is reportedly the third-largest manufacturing sector globally, generating $2.7tn of revenue in 2019.

    Sadly, even with these statistics that depict the relevance of the sector, the fashion industry is a major contributor to textile waste and carbon emissions, with billions lost each year due to the underutilisation of clothes and lack of recycling.

    It is estimated that the sector produces around 92 million tonnes of textile waste each year, which is equivalent to a rubbish truck full of clothes being dumped every second. When it comes to the impact of second-hand, it is estimated that in recent years over 300 million items of damaged or unsellable clothing made of synthetic – or plastic – fibers are exported to Kenya annually, where they end up dumped, landfilled, or burned, exacerbating the plastic pollution crisis.

    With the global fashion industry accounting for significant environmental challenges, the Nairobi Fashion Week 2025 featured designers who are leading this change, pushing boundaries to make recycling and upcycling integral parts of fashion production and consumption.

    The event also provided a platform for industry leaders, environmental activists, and sustainability experts to discuss the future of recycling in fashion and the broader potential for a circular economy in the industry.

    Additionally, it served as a platform to discuss the rising importance of circularity and regenerative practices in the fashion industry. Designers showcased collections that were carefully crafted from upcycled materials, and zero-waste production methods, demonstrating that fashion can be both beautiful and responsible.

    Many designers also incorporated locally sourced materials, supporting Kenyan craftsmanship and the growing demand for ethical fashion.

    Below are some images from the event.

  • AFCON 2023 Review: Cote d’Ivoire’s turn around story in focus

    AFCON 2023 Review: Cote d’Ivoire’s turn around story in focus

    Ivory Coast were crowned continental champions for the third time, becoming the first Africa Cup of Nations hosts to lift the trophy since Egypt in 2006. PHOTO CREDIT- CAFOnline

     

    One week after the Elephants of Cote d’Ivoire completed their fairy tale comeback to win AFCON 2023, Afrik Digest International magazine, through Tolulope Omotunde writes about the country that has tried using football to rebuild, heal and unite.

    In 2002, civil war engulfed Cote d’Ivoire, with the cries of a divided nation echoing through its streets. Fast forward to 2024, and the roar of the crowd at the Alassane Ouattara Olympic Stadium, Ebimpé, on Sunday, 11 February, told an entirely different story.

    The Elephants were the story of the competition as they sacked manager Jean-Louis Gasset after a poor group-stage performance and still went on to lift the trophy.

    The Elephants, the senior national football team, stand triumphant, having conquered Africa at AFCON 2023, which Cote d’Ivoire hosted. The victory transcends mere football; it was a testament to a nation’s resilience and the unifying power of the beautiful game.

    The scars of the past still linger, but Cote d’Ivoire chose not to be defined by them. Hosting the 2023 AFCON was a bold step, a declaration of intent to move forward, heal divisions, and showcase the best of the country to the world.

    Sébastien Haller with the AFCON trophy. Haller had a running battle with Cancer eighteen months before the tournament. He recovered and scored the winning goal against Nigeria. Credit-Cafonline

     

    The passion and unity displayed by the Ivorian people throughout the tournament was a powerful message of hope and reconciliation. On the pitch, the Elephants embodied this spirit. Despite a rocky group stage, they defied expectations through sheer grit, determination, and tactical tweaking.

    The come-from-behind victory in the final against Nigeria was a moment of pure magic, one that will be forever etched in the hearts of every Ivorian.

    Sébastien Haller’s winning goal is particularly poignant. A symbol of the nation’s fight for recovery after the striker battled and overcame testicular cancer just 22 months ago. It was a victory not just for football, but for life itself.

    AFCON 2023 wasn’t just about a single match. The tournament set high standards with VAR, superb officiating, and magnificent stadiums. For 30 days, all that mattered in the football world was AFCON. It was a celebration of African football, showcasing the continent’s rising talent and the unique passion that defines the sport here.

    Cote d’Ivoire’s victory shattered the 17-year hoodoo of host nations failing to win, their last triumph dating back to 2006. This symbolic feat mirrored the nation’s battle against ghosts of the past, proving that resilience and unity are most often the paving stones that lead to success.

    Veterans like Youssef Msakni (Tunisia) and André Ayew (Ghana) cemented their legacies by equaling the record of eight AFCON appearances. On the individual front, Oumar Diakhite joined the exclusive club for the latest goal ever scored with his dramatic 120th-minute winner against Mali in the quarterfinal.

    AFCON 2023 also provided a stage where stars were born while the existing ones shone brighter.

    In a tournament that had proven goal scorers like Nigeria’s Victor Osimhen, Mohamed Salah of Egypt, and Senegal’s Sadio Mané and Emilio Nsue, the forward from Equatorial Guinea proved to be a revelation, his boots striking gold as he scored five goals in four games to win the Golden Boot Award. It is also relevant to say he missed a penalty in the round of 16 loss to Guinea.

    William Troost-Ekong of Nigeria was named the tournament’s most valuable player. PHOTO CREDIT- CAFOnline

     

    Another player who left an indelible mark was William Troost-Ekong from Nigeria. Despite the loss in the final, Troost-Ekong’s exceptional performance earned him the Player of the Tournament award.

    His three goals and his team’s best defense were a testament to his versatility and leadership on the pitch.

    The tournament also saw breathtaking displays in between the posts, with South Africa’s Ronwen Williams taking home the Best Goalkeeper award ahead of Nigeria’s Stanley Nwabali.

    Williams’ heroics, which included saving four penalties against Cape Verde and two more in the third-place match, were nothing short of spectacular.

    The Best Young Player award went to Simon Adingra from Ivory Coast, a promising talent who showed maturity beyond his years.

    Emerse Faé, the man in charge of Ivory Coast’s successful campaign, deservedly received the honor of Best Coach as he became part of the exclusive group of indigenous coaches who secured the prestigious AFCON trophy.

    Nigeria’s Stephen Keshi of blessed memory is on this list, along with legends like Hassan Shehata (Egypt) and Charles Gyamfi (Ghana).

    It was a tournament to forget for Ghana as they failed to make it out of the group stages with just two draws and a defeat. A team that included West Ham star Mohammed Kudus, Crystal Palace veteran Jordan Ayew and Athletic Bilbao forward Inaki Williams struggled to help Ghana make any progress in the competition. Former Brighton manager Chris Hughton was sacked after less than 12 months in charge and the Black Stars have started their search for a new coach before the 2026 World Cup qualifiers in June.

    Emilio Nsue won the golden boot for the top scorer at the tournament, despite Equatorial Guinea exiting in the last 16. Credit-BBC

     

    Not many would have predicted South Africa would reach the semi-finals of the tournament and Bafana Bafana certainly caught the eye. Their biggest challenge came when they took on 2022 World Cup semi-finalists Morocco in the round of 16. Goals from Evidence Makgopa and Teboho Mokoena sealed a famous 2-0 victory as PSG star Achraf Hakimi missed a penalty late on for the Moroccans.

    Mauritania qualified for AFCON for the first time in their history in 2018 and heading into this year’s competition they had new hopes of improving on their last performance. The Lions of Chinguetti were still searching for their first win heading into the last group game against Algeria and they pulled it off with a shock 1-0 victory to also send them to their first knockout match against Cape Verde. Mauritania could not pull off another upset against Cape Verde but they sealed their place in AFCON history with an impressive performance.

    According to CAF, since the inaugural AFCON tournament in 1957, 11 African coaches have now officially lifted the title, with the list expected to grow over the upcoming editions as young African tacticians, both men and women, continue to emerge from all corners of the continent.

    Emerse Faé who won 41 caps as a player for Cote d Ivoire took charge of the team midway into the tournament and emerged victorious. Credit-BBC

     

    These individual performances, coupled with the overall commendable quality of the tournament, underscore the undeniably bright future of African football.

    The 2023 AFCON wasn’t just a football tournament; it was a cultural and historical celebration. This marked the second time Cote d’Ivoire hosted the AFCON, showcasing its development and passion for the game.

    The 2023 AFCON tournament showcased Africa’s vaunted hospitality, embodied by the “Akwaba” mascot, and the “Pokou” match ball honored the legendary Ivorian player Laurent Pokou. A vibrant official song featuring diverse African artists captured the tournament’s unifying spirit.

    This edition of AFCON proved even more popular, with viewership soaring to nearly 2 billion—a 300% increase from 2021. Expanded broadcast rights, amplified media coverage, strong partnerships, and the power of social media all contributed to its resounding success.

    Financially, both CAF and participating teams reaped rewards. Sponsorships brought in roughly $75 million, and champions Cote d’Ivoire earned an impressive $7 million prize.

    Cote d’Ivoire’s journey from a nation impacted by conflict to AFCON champions serves as inspiration for the next host, Morocco. The Atlas Lions, with only one AFCON title since 1978, will undoubtedly aim to emulate the Elephants’ success by hosting and winning in 2025.

  • The Continent Roars: AFCON Fever Grips Africa

    The Continent Roars: AFCON Fever Grips Africa

    Growing up on the continent, the Africa Cup of Nations tournament generated incredible excitement. The sport was called football, not soccer. The name Football was apt, as players only ran after, trapped, and kicked the round leather with the intention of scoring a goal. Some people called it soccer then, but that was when the commentator wanted to sound elitist. The one-month-long all-Africa tournament sparked as much festivity as a colorful street carnival.

    Supporters of the Nigerian National soccer team a.k.a The Super Eagles cheering the team at a recent tournament

     

    It’s that time again (January 13th – February 11th, 2024), so let the drums beat, the vuvuzelas blare, and the chants echo across the land. For the next month, Africa holds its breath and celebrates – because this is our moment, our stage, our AFCON.

    Cote d’Ivoire’s air crackles with a vibrant symphony: vuvuzela chants, drumbeats echoing off concrete canyons, and the jubilant cries of fans draped in their nations’ colors. The Africa Cup of Nations, CAF’s crown jewel, is here, and the continent holds its breath in unison.

    From vibrant fan parks in Nigeria to packed pubs in Morocco, a collective electricity hangs thick. This isn’t just a tournament; it’s a celebration of unity, passion, and unbridled hope. It’s a continent of 54 diverse voices singing the same hymn: football.

    Senegal, draped in the mantle of defending champions, carries the weight of expectation. Will Sadio Mané’s magic weave another continental triumph? The indomitable spirit of Nigeria pulsates under the watchful gaze of Moses Simon’s dribbling artistry. Can the Pharaohs of Egypt, led by the talismanic Mohamed Salah, reclaim their throne?

    Supporters of the South African soccer team a.k.a Bafana Bafana supporting the team at a recent tournament with Vuvuzelas. Vuvuzelas are commonly used by a lot of Southern African supporters in generating noise and excitement.

     

    Each clash is a story etched in sweat and skill. Every goal erupts in a kaleidoscope of colors and joyous pandemonium. Streets transform into vibrant canvasses, painted with flags and murals of heroes past and present. The air thrums with anticipation even before the first whistle blows.

    Thousands of Senegalese soccer fans thronged the streets of Dakar to welcome the Teranga Lions after their victorious outing at the last edition of the African Cup of Nations tournament held in Cameroon.

     

    This isn’t just about who lifts the trophy, though every nation dreams of that golden embrace. It’s about the journey, the shared pulse of a continent united in its love for the beautiful game. It’s about a young boy in Cameroon, eyes wide with wonder as his idol dances past defenders. It’s about a grandmother in Ghana, her weathered hands clutching a flag, memories of past glories rekindled by the present roar.

    AFCON is more than football; it’s a tapestry woven with threads of pride, resilience, and a collective dream. It’s a continent holding its breath, then exhaling in a joyous cacophony of celebration. This is AFCON. This is celebrating Africa. This is the roar of a continent united again for the round leather game.

    All the participating teams at this year’s tournament.

     

  • Cote d’ivoire welcomes the Continent as AFCON 2023 begins

    Cote d’ivoire welcomes the Continent as AFCON 2023 begins

    Security forces officers stand guard in front of the Alassane Ouattara Olympic Stadium of Ebimpe during a visit by African Nations Cup officials on July 11, 2023. Credit: Reuters

     

    Street merchants draped in samples of the orange-white-and-green Ivorian flags stacked for sale on their shoulders. Women decked in the jersey of Les Elephants, cocktails being named after famous African footballers. Women decked in the jersey of Les Elephants, the senior men’s football team, dancing in the market. Wire designs of soccer balls hung as overhead street decor alongside signs flanking the road from the airport into the Abidjan city centre. Big screens going up at large open-air beer parlors or maquis, across the length and breadth of the nation.

    As the 34th edition of the African Cup of Nations (AFCON) gets underway, host country Ivory Coast is agog with anticipation. Nowhere is this more evident than in its commercial capital Abidjan, the economic powerhouse of Francophone Africa.

    While the goals the 24 participating countries score during the footballing spectacle will likely elicit the loudest cheers, the tournament is also a source of patriotic joy for millions in this West African nation, where football has often been a tool for unity.

    On several occasions, legendary striker Didier Drogba has used his stature as one of football’s greats and one of the most popular Africans alive, to call for lasting peace in his home country.

    In October 2005, immediately after Les Elephants qualified for their first-ever appearance at the World Cup, Drogba, surrounded by his kneeling teammates, pleaded with warring factions in the ongoing civil war, to lay down their arms. That wish was granted within a week.

    Just over two years ago, the former Chelsea striker again called for peace in his country following unrest that caused the deaths of nearly 100 people after President Alassane Ouattara  – whose 2010 win triggered the second civil war – secured a controversial third term in office in November 2020.

    President Ouattara alluded to the potential reconciliatory role of hosting the Nations Cup for a second time – the other time was in 1984 – when he told the nation during his New Year’s address: “We must show our ability to unite, to make our country shine.”

    From the mood around the country, everyone can’t wait to host the whole of Africa again.

    Ouattara’s government has been busy ahead of the tournament. In addition to a new shiny $260m, 60,000 capacity stadium on the outskirts of Abidjan named after Ouattara, several stadiums have been built or upgraded across four other cities: the capital Yamoussoukro, Korhogo to the north, the central hub of Bouake and dreamy coastal San Pedro near the Liberian border.

    A worker spreads fertiliser on the lawn of the Bouake stadium, ahead of the 34th edition of the African Cup of Nations [AFCON] scheduled to take place from January 13 to February 11, 2024, in Bouake, Ivory Coast. Credit: BBC Sport

    Two new bridges crossing the Ebrie Lagoon in Abidjan have been commissioned in the last seven months, to manage traffic in the city. Roads and hotels have also been upgraded.

    The month-long event is expected to boost tourism in the Ivory Coast, especially from within the Economic Community of West African States (ECOWAS) which is home to 11 of the 24 participating teams. Fans are taking advantage of freedom of movement within the bloc to pour into the country to support their teams.

    But the world’s largest cocoa producer spending an eye-popping $1bn to host Africa’s biggest sporting event when almost half of its 25 million people live on $1.2 or less a day, has led to criticism for the Ouattara administration’s priorities.

    And there has been more controversy.

    Last September, the new Abidjan stadium, the main venue, was flooded after a downpour. It cost Patrick Achi and Paulin Danho their jobs as prime minister and sport minister respectively, and an unnamed amount to relay the pitch.

    The initial construction of the stadium was financed by a $180m “gift” from the Chinese government as a gesture to celebrate 35 years of friendship between the two countries. It is the latest example of Beijing’s controversial “palace diplomacy” projects across Africa.

    The president of the Ivory Coast Football Federation thinks the investment is for a worthy cause.

    “This investment is not only for football but for the entire country. The roads will be used by the people of the country, the hospitals too and the stadiums will be used by sports teams,” enthused Diallo to newsmen just weeks before the tournament opener.

    The new 20,000-seat stadium in San Pedro, named after legendary Ivorian striker Laurent Pokou, was finished not long after the road linking it to Abidjan was fixed, halving the arduous eight-hour road journey between both places. Consequently, San Pedro’s two top division teams Sewe Sport and San Pedro FC no longer have to go to Abidjan where they were forced to play their home games due to the absence of an adequate venue in their hometown.

    Diallo, a former vice president of 29-time Ivorian league winners ASEC Mimosas, is also hopeful that the modern facilities – including four new training pitches in the host cities – will accelerate the development of the country’s next generation of talent.

    “The academies are very important, and it is from there you can build good teams,” he says. “We are trying to improve this across the country because we have lots of players from areas outside Abidjan…our football [teams] will have nice infrastructure to play and Ivory Coast will become a hub for football in West Africa. Many countries will now come to play on our fields.”

    A general view of the main entrance of the upgraded Felix Houphouet-Boigny stadium ahead of the 34th edition of the African Cup of Nations [AFCON], scheduled to take place from January 13 to February 11, 2024, in Abidjan. Credit: Reuters

    Diallo highlights the emergence of Wilfried Singo and Simon Adingra from remote areas to star respectively with top French side Monaco and impressive Brighton who have lit up the English Premier League.

    Paul Melly, a consulting fellow with the Africa Programme at London-based think-tank Chatham House, believes the massive expenditure to host the tournament could be beneficial in the long term.

    “The $1bn capital outlay is hefty and open to complaints the money could be better spent on basic public services,” he says. “But taking the long view, it could prove a shrewd investment: with host stadiums in five different cities the economic impact of the tournament will be spread around the country. Moreover, the Nations Cup will showcase [the Ivory Coast’s] potential as an emerging market and business services hub.”

    Meanwhile, the International Monetary Fund (IMF) has forecast that the Ivorian economy, currently Africa’s 10th largest, will grow by a healthy 6.6 percent in 2024. This would place it among the top 10 best-performing economies in the world. Still, there are concerns about whether that can trickle down to the households most vulnerable to the soaring costs of living, nationwide.

    Bright Simon, Research Lead at IMANI, an Accra-based pan-African think tank, highlights the experiences of previous tournament hosts who envisioned post-cup growth that barely came.

    Former Chelsea striker and Ivorian soccer legend Didier Drogba has called on his countrymen to welcome the rest of Africa with open arms. Credit: Bein Sports

     

    “Research shows that South Africa’s World Cup effort added about 0.5 percent to [gross domestic product] in 2010 but the aftermath has been economically disappointing”. “Ghana saw the new stadia built for the 2008 Nations Cup deteriorate rapidly and has still not found a means for them to pay for themselves.”

    While the cost-analysis debate continues, Ivorian authorities are excited about bringing to life an idea that Ouattara has had since 2014. The country has come very far. Ten years ago it was tough here [because of the civil war], but now you see the country is quiet, there is peace and everybody is working hard to improve their lives. Hosting the tournament is very important for nation-building. During the Africa Cup of Nations, you will see the passion for the game in this country.”

    The current feel-good factor among Ivorians about hosting the Nations Cup could be boosted by an above-average performance by the Serge Aurier-led Elephants, one of the favorites to win the competition.

    However, while many Ivorians are hoping their team repeats the success of their predecessors of 1992 and 2015, analysts are saying the citizens shouldn’t get their hopes too high about the Elephants’ chances of lifting African football’s most coveted prize for a third time.

     

  • Our youth deserves more attention to keep them mentally healthy

    Our youth deserves more attention to keep them mentally healthy

    Meet Mr. John Abum, a soccer coach and community organizer, who is accomplishing an extraordinary feat in Aurora Colorado. He and his wife, Yayra Abum, and a team of passionate sportsmen and women have been on a mission to positively engage young people in competitive soccer in Colorado and some African countries. John Abum and his team are not only giving these young people the skills of a lifetime but also seeking opportunities for them and positioning them to win and fulfill a greater destiny. Afrik Digest caught up with the couple recently.

    What can you tell me about yourself?

    My name is John Abum, I am a Gambian by birth and a Ghanaian by origin. So, I call myself a man of many nations because my parents originated from Ghana. My primary and secondary school education was in Gambia. After high school, I proceeded to the School of Public Health, Gambia College. I am the last born of a family of fishermen, and the only one with a college education.

    Can you walk us through how you started Bright Stars of Colorado?

    Bright Stars of Colorado (BSC) is a 501c3 charitable and educational organization. I am currently the technical director of the Bright Stars of Colorado Soccer Academy and the United Africa Premier Soccer League. It all started when I relocated to the USA as an international student. I loved soccer as a little boy, playing on the streets of Brufut-Ghanatown, a small fishing town in Gambia.

    In the US in 2005, my college, which was composed mostly of international students, won the first club state championship for the Western Wyoming Community College. That same year, I had a full scholarship to attend Columbia College Missouri to compete in the NAIA (Intercollegiate Athletics). During my stay at Columbia, I failed my physicals and lost my scholarship due to a knee injury I sustained while I was in the Gambia. Having lost the opportunity to play professionally, I decided to work with the kids in my fishing community, coaching them in soccer and at the same time helping them to stay focused on their education.

    What circumstances led you to relocate to the United States?

    Being the last born of my parents, my father had made me a promise that if I focused on my education and stayed away from fishing, he would send me abroad after college. The day my family announced that I would be going to the United States to study and play soccer, I thought my dream of becoming a professional soccer player was on its path to being achieved. I came to the United States of America to attend college and play soccer as well.

    At what point did you realize that running a soccer club is what you’d want to do?

    I had always wanted to be a professional soccer player and many people in my community thought I would. That dream was shattered when I failed my soccer physicals at Columbia College. I returned briefly to Africa and decided to help the youth community in Brufut-Ghanatown. We played in teams in which players were not placed according to their age groups. That arrangement didn’t make sense to me, so I resolved to find a solution. I started Bright Stars Club to help young people play in teams of their age groups. The first name we gave the club was Abum’s International Soccer Academy. I bought soccer uniforms, boots, and other necessary equipment that they needed to play the game. While helping kids in Africa get organized, I also found that kids within my community here in the United States were facing the same issue. Many of them wanted to play but their parents were not able to pay the fees in Colorado. We decided to establish a similar club in Colorado, but that process has not been easy.

    How has the experience of your injury and your truncated dream impacted your life?

    It was tough at first, but I worked my way out of it. After I lost my scholarship, it felt like my world had come to an end. It was difficult hearing from the doctor that I would no longer be able to play for the college because of my knee injury. The experience made me more determined to do my part for our young ones. It inspires me to mentor many young men here, and in Africa. I believe that our youth deserves more attention than we give them. I had been a youth leader as a young man growing up in the Gambia. I was the youth president of my church parish and served as an active community youth leader for years. Today we have a branch of Bright Stars in Ghana, playing in the Ghana third division league, and another branch in the Gambia.

    Can you talk more about the United Africa Premier League?

    As I mentioned earlier, starting a soccer club is tough so we started a youth soccer program instead. It became the Bright Stars of Colorado. Afterward, our 7-member team decided that we needed to have a separate program to keep our young adults physically and mentally healthy, and out of trouble all at the same time. Soccer is a universal language and as an African, I believe that this is one thing that can bring people together. We see this expressed in the Africa Cup of Nations and the World Cup. This is how the United African Premier League – UAPSL, the first of its kind in Colorado, came about. The league aims to create an elite soccer team for Africans and communities of African descent. Here in Colorado, communities have their own leagues but none of them is a continental African league. In 2019, we put up a plan to initiate a league for all our African communities in Colorado and other states. We are hoping to expand the league to other African communities in the USA. We are already talking with communities in New York and Georgia.

    The goal of UAPSL is to expand its membership to accommodate additional teams from other communities other than the African community. UAPSL is hoping to give an opportunity to all young people who wish to continue to play and reach their highest potential as well as those who wish to play for the fun of the game.

    Can you walk us through how you have progressed in your soccer career in Colorado?

    As I mentioned earlier, my parents wanted me in the healthcare field, so I enrolled in the School of Public Health- Gambia College, but I had developed a love for the game since my childhood. When I was not able to play college soccer, turning to my community gave me courage. When we started Bright Stars of Colorado Soccer Academy, most of the kids were Rwandan refugees, and a couple of others came from the Hispanic community, but most of the kid players were of African origin.

    The pandemic has been devastating for a lot of businesses and sporting clubs like yours, how have you been able to navigate it?

    Yes, the pandemic has affected every community and business. It has also had a big effect on our program. I just thank God that we are almost at the end of the pandemic. We had to pause most of our activities as parents were not registering their kids. Our sponsors also stopped funding our programs. It has been a rough road but when you have great people around, you will succeed. My wife Yayra Abum has been a great energizer in this journey.  She has supported me with the last penny in our bank account. I also get enormous support from Coach Phillip Alvaro who has been with us from the time I brought up the idea of a soccer program. Coach Mannue Giplaye has been the master planner of all our programs, and all of us are doing this for the love of the game.

    I imagine there are conflicts sometimes. Where do you see most of the conflicts and how do you deal with them?

    So long as we are alive, there is bound to be conflicts; it depends on how we approach the conflicts. As members of a community, we must know how to approach people and situations. We had many obstacles when setting up the program, within and outside the community, but we figured out ways to resolve them.

    What do you think other people should know about your organization?

    We want people to know that we are here to create the American dream for so many kids. We are a non-profit organization. We help kids to connect to colleges through soccer, train them to be leaders in their different communities, and engage them positively so that they can stay out of trouble. There’s a lot of work to be done and we need funding to stay on top of it. We need help from organizations within and outside of our community, to be able to fund our programs. We have been soliciting funds within the African community churches, African stores, and social gatherings.

    What is the most difficult decision you had to make as the founder of a soccer league?

    In life we make difficult decisions at times. During the formation of this program, I let many good people I came across go because I wanted to make sure this program worked. I let some good friends go and those are hard decisions to make. If you want to succeed in life, things like that will happen and you must make those hard decisions. During the first season of the league, we decided to ban a team from the league. It was hard for me and my team, but we had to do that for the benefit of the league.

     

    What do you do during the off-season?

    During the off-season, I spend more time off the field with my family. I try to go out for vacation not thinking about soccer, but as a soccer fanatic, I cannot readily stop thinking about it. Also, at the end of each seasonal year, we have a UAPSL banquet where all countries are represented. The event brings all our teams together.

    I’m using this opportunity to invite all sports stakeholders and members of the public to help us do more in our community through soccer. We need sponsors for this league to grow as our numbers increase every year.

    What has been your key driving force?

    My family and my team of coaches are my driving force. I work with a team that engages with all their heart to make sure the league and the club run smoothly. My wife is the number one supporter of our programs. She has been on my side from the very first day we started. Mannue Giplaye is the head of high school boys of Bright Stars of Colorado Soccer Academy. He has been a great force behind the club. Coach Philip Alvaro and Justine Mendy have also been strong pillars of this program.

    What have been your challenges?

    The biggest challenge for us is funding. As the only African community soccer academy, it is hard for organizations to support us. Securing fields to train or play games is always a problem. I have been in many fields and their offices in Aurora, but we have yet to find a place we can call home. The fields we train on this season will be hard to get for the next season because the city takes it and rents it to a different club, leaving our kids mostly crushed.

    To donate or sponsor an event, please contact us at League@uapsl.com or bstars@bscsoccer.org. You can learn about the United Africa Premier Soccer League and our programs at www.uapsl.com and www.bscsoccer.org.

  • AFRICAN WOMEN SHINE AT 2023 FIFA WORLD CUP

    AFRICAN WOMEN SHINE AT 2023 FIFA WORLD CUP

    The Moroccan ladies gave a good account of themselves. Credit:CAFonline

     

    Eight African teams have contested the FIFA Women’s World Cup across its nine editions, with a combined 20 appearances between them, from 1991 to 2023. Of those eight, Nigeria are the only team to play in all nine, their best-ever finish coming in 1999, when, after qualifying from the group and there being a lack of a round-of-16 due to fewer participants, the perennial African champions landed directly in the quarter-final.

    Nigeria came within minutes of reaching the semi-final, too. But, despite battling back to level the score after falling 3-0 behind against a rampant Brazil side, they lost to an extra-time golden goal by Sissi, whose sensational free-kick winner bumped the Nigerian fightback off the headlines the subsequent day.

    Between 1999 and 2015, African women’s football seemed to have come to a standstill: two teams would qualify to play at the quadrennial FIFA Women’s World Cup, and both would return home after the first round. But, recent editions have witnessed gradual improvements from the Confederation of African Football as a whole and the teams that have gone on to represent it in the international tournament.

    When the World Cup groups were drawn, a typical malaise set in around the hopes of the African sides at the tournament. All four of the teams had such low FIFA world rankings — Nigeria (40), South Africa (54), Morocco (72) and Zambia (77) — that they were each drawn into groups beset with European and North American powerhouses.

    With the expansion of the Women’s World Cup, nations from Africa broke new ground in Australia and New Zealand. The South African team did their reputations no harm. Credit: DW

    Further obstacles were laid in front of the players from all four countries as fights with their federations over equal pay, treatment, and in Zambia’s case, accusations of sexual abuse from their head coach Bruce Mwape, blighted their build up to the tournament.

    Yet, on the pitch, African players showed themselves to be athletes possessing immense talent, skill, and in many cases, untapped potential.

    The increased number of slots available to CAF at the Women’s FIFA World Cup, going from two to three in 2015 and four in 2023, has corresponded with more teams entering the qualification process. With several African nations now possessing a distinct women’s football programme, the number of participants in the qualifiers has swelled from eight for the first two editions to 45 in 2023. Four of those 45 — Nigeria, Zambia, South Africa, and Morocco — qualified directly by reaching the 2022 Women’s Africa Cup of Nations semi-finals, while two — Cameroon and Senegal — fell in the inter-confederation playoff tournament.

    The 2023 FIFA Women’s World Cup was a landmark moment for African women’s football; for the first time since its inception in 1991, all contesting African teams won at least one match and three qualified for the knockouts.

    Morocco beat Korea Republic and Colombia by identical 1-0 scorelines in the first round, progressing to the round-of-16 on their debut. Nigeria emerged on the right side of a five-goal thriller against hosts Australia in one of the tournament’s most exciting games and finished the group stage unbeaten. South Africa dramatically beat Italy in the final minutes of their last group match and leapfrogged them into the knockouts. Zambia, though already eliminated by then, beat Costa Rica 3-1 ahead of their return to Africa.

    The three African teams that qualified for the round-of-16 surpassed a record set in 2019 when two of the three appearing sides — Nigeria and Cameroon — made it to the knockouts. Nigeria became the second team after Cameroon to progress to the second stage in successive editions, with Morocco and South Africa joining the Super Falcons in the business end.

    Though Nigeria lost to England on penalties, they proved they have far more to offer than a kick and run game. Credit: DW

    Nigeria finished unbeaten in the groups, recording stalemates with 2020 Olympic Games women’s football tournament gold medallists Canada and the Republic of Ireland on either side of the memorable win over Australia. They can argue, perhaps due to the nature of their elimination in the next round, that they even finished the tournament unbeaten, with England needing penalties to defeat them after a scoreless draw. Their outing earned the 9-time African champions a 10th-place finish in the tournament ranking, ahead of football giants Germany, Brazil, Italy, Canada, Portugal, and Argentina.

    South Africa’s second participation in the FIFA Women’s World Cup resulted in three thrilling group games, with the Banyana Banyana, rightly or wrongly, acting as the protagonists in each. They lost to Sweden in the final minutes of their opening match after keeping them at bay for as long as possible before throwing away a two-goal lead in their subsequent game against Argentina. Their best result, however, came in round three, when they beat Italy 3-2 in an end-to-end tie, with the winner coming in the second minute of stoppage time, taking their place in the knockouts.

    For Zambia there was no fairy tale ending, but they did secure their first-ever World Cup victory when they swatted aside Costa Rica in their final group match in Hamilton.

    Zambia persevered in the face of the ugly controversy swirling around sexual abuse allegations leveled at coach Bruce Mwape. Credit: BBC

    On the eve of the tournament, reports emerged that coach Bruce Mwape has been under investigation by FIFA over sexual abuse claims from his players and a further allegation was lodged at the end of the group stage claiming the head coach had inappropriately touched one of his players during the tournament.

    Fans from various African countries traveled to both Hamilton and Auckland to support the Zambian side but were dismayed upon learning of the accusations. Despite all that, supporters in the stands felt it all the more important to be vocal and vibrant in their encouragement for the players in light of such allegations.

    Members of the Nigerian team drop to their knees after their victory over Australia. Photo;FIFA

    Debutants Morocco started the tournament with a 6-0 hammering by Germany but possessed the mental fortitude required to bounce back immediately. They did so with 1-0 wins over Korea Republic and Colombia before losing to France in the round-of-16. The Moroccan women team showed that their place is anywhere but the kitchen

    “Go back to your kitchen!” was a cry far too familiar to the 23-strong Moroccan squad that traveled to Australia and New Zealand.

    Despite the historic World Cup run the Arab country saw its men’s side enjoy in Qatar, the same enthusiasm for the women’s team just seven months later was sorely lacking.

    The Moroccan team celebrates after qualifying for the quarter-finals. Photo:FIFA

    It was a notable discord given the support the women’s side had received when they reached the Women’s Africa Cup of Nations (WAFCON) final as hosts in 2022.

    But, the Atlas Lionesses put all the noise from home aside to ensure their own slice of history was just as impressive and visible on the world stage.

    At their first-ever World Cup, they achieved major milestones; winning their maiden match, seeing Nouhaila Benzina become the first player to take the field at the tournament wearing a hijab, and advancing to the knockout stages at the expense of Germany with a 1-0 victory over Colombia.

    Despite no African team reaching the quarter-final, the bar is set for future excursions. With more and more teams participating in continental and international cups, one can believe that it is only a matter of time before they will shatter the glass ceiling and join the world’s elite.

     

  • Socializing the Nigerian Way

    Socializing the Nigerian Way

    Nigerians are known for their vibrant and colorful culture, especially when it comes to celebrating. Parties are a common way for Nigerians to socialize, have fun, and enjoy music, dance, food, and drinks. Some of the popular types of parties in Nigeria are weddings, birthdays, anniversaries, festivals, and religious events.

    With over 250 ethnic groups including the three dominant tribes of Hausa and Fulani, Yoruba and Igbo, the Nigerian social scene is blessed with a rich, diverse cultures.

    Nigerians often dress in traditional attire such as Ankara, Aso Oke, Isi-Agu, Agbada, Wrapper and blouse, Babariga, Dansiki, Buba and Sokoto for parties. The fabrics are usually made in elaborate styles with surplus flow. They also like to accessorize with jewelry, hats, headties, shoes, and bags.

    Some of the typical foods and drinks served at Nigerian parties are jollof rice, fried rice, ofada rice, pounded yam, egusi soup, pepper soup, moi-moi, suya, chin chin, palm wine, and beer.

    Nigerians love to dance and sing along to various genres of music such as Afrobeat, Highlife, Fuji, Juju, and Gospel. Some of the famous Nigerian musicians who are popular at parties are Flavour, Wizkid, Davido, Burna Boy, Tiwa Savage, Yemi Alade, and Sinach. The music at Nigerian parties are usually loud; the dancing is non-stop and the entire scene is illuminated by shimmering headpieces (gele) and colorful uniformed group attire (aso ebi).

    Some of the most popular festivals in Nigeria are the Eyo Festival, Argungu Fishing Festival, New Yam Festival and the Calabar Carnival, which is Africa’s biggest street carnival.